Cinema post, engineered end to end.
From the first card offloaded on set, or the first frame rescued from an archive, right through to the final approved master. Restoration, editing, colour grading, visual effects and mastering, all under one roof in the Entertainment Quarter.
We started as DCP Australia, mastering cinema packages for clients like Val Morgan, Hoyts, Netflix and Disney. Today, as Pixel Storm Post, our heart is in the picture itself: archival film restoration, visual effects and colour grading.
We rescue and restore ageing film, craft seamless VFX and grade with precision, while still delivering flawless DCP masters in-house through our own Storm Suite. Whatever the project, whether a fragile archive, a new feature or a short, we treat every frame as if it matters. Because it does.
Services
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Post-production
One continuous pipeline from the first card on set to the final master signed off.
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DCP mastering
Tested, DCI-compliant DCPs in 2K, 4K and 3D, SMPTE or Interop, mastered on our own Storm software.
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Colour grading
Calibrated 4K suites and Barco projection. What you see is what the cinema sees.
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Visual effects
Invisible, scalable VFX, from a clean-up to a whole world, built shot by shot.
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Film restoration
True C-41 negative recovery and motion-aware scratch repair with our Storm suite.
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Films we have helped deliver
- Train to Busan
- Rebel Moon
- Wednesday
- Avatar: The Last Airbender
- Cigarette Girl
- Bangkok Breaking
- Borderless Fog
- The Great Battle
- Shift
- Forbidden Ground
See it in motion
Have a film to finish?
Tell us about your project and your delivery deadline. We will map the fastest, cleanest path to screen.